PORTE 8 x Marie L – DERNIERS EXEMPLAIRES

CADAVRE EXQUIS x RRRDiaz Revue photographique, 12 Polaroid Stories, 108 pages, Les petites Editions Expérimenter, assembler, se hasarder, c'est au fil de ses essais photographiques que Raul Diaz, connu sous le nom de RRRDIAZ, dessine ce projet qui au départ n'était qu'un assemblage de mots. RRRDIAZ nous fait découvrir à travers son travail les vestiges d'une marque qui prit fin en 2008, puis connait une renaissance grâce à la volonté de 'Impossible Project', qui entreprend il y a huit ans de sauver la dernière usine Polaroid. Chaque série de Cadavre Exquis est tirée avec une pellicules différente , crée par Impossible Project. Effet d'avant garde oui vintage 70's de l'imperfection, entrez dans Cadavre Exquis.

• Nacho Casanova x Vous Monsieur
• Parce que l'Art est aussi une histoire de rencontre, nous sommes heureux de vous faire découvrir le travail de Nacho Casanova. 
  ' My erotic work is based on one single subject: Desire
  I want to confess my desires. I want to share that I’m turned on while I’m drawing. I want my models to know I want to make love to them... and that I actually did while I drew them. That my lines don’t describe their bodies: they caress them, they lick them, they have their way with them. They were mine when I was drawing them. I want my public to find their own desires in my drawings - let them find themselves between my lines. In those gaps between them there is enough room for all their lusts and their fantasies. For falling down in a world where being desired and confessing our deepest urges is okay. A world where asking to be drawn to know how my lines express their beauty shouldn’t be judged because it’s healthy. We all have that right.
  Because they are only blue lines.'

TAMINA BEAUSOLEIL Le travail de Tamina Beausoleil explore la représentation du vivant dans ce qu'il a de cru, de poétique ou de paradoxal. C'est ainsi que dans une même image, des planches anatomiques se juxtaposent dans un entremêlement de formes et de lignes, où les échelles se brouillent, tandis que les différentes couches de papier en révèlent la profondeur. (Les Femmes sauvages et les Hommes Sauvages.) Son travail joue avec les différents champs sémantiques de la corporeïté, créant des décalages de langage, des jeux de mots, des subtilités de sens, et jouant également avec les stéréotypes des genres (Nuages en pantalon).

"Femmes sauvages, Femme louche etc. Histoires sales, autant de dessins dans lesquels Tamina Beausoleil explore notre corps, qu'il soit organique, érotique, ou fantasmé."

• Nacho Casanova x Vous Monsieur
• Parce que l'Art est aussi une histoire de rencontre, nous sommes heureux de vous faire découvrir le travail de Nacho Casanova. 
  ' My erotic work is based on one single subject: Desire
  I want to confess my desires. I want to share that I’m turned on while I’m drawing. I want my models to know I want to make love to them... and that I actually did while I drew them. That my lines don’t describe their bodies: they caress them, they lick them, they have their way with them. They were mine when I was drawing them. I want my public to find their own desires in my drawings - let them find themselves between my lines. In those gaps between them there is enough room for all their lusts and their fantasies. For falling down in a world where being desired and confessing our deepest urges is okay. A world where asking to be drawn to know how my lines express their beauty shouldn’t be judged because it’s healthy. We all have that right.
  Because they are only blue lines.'

• Nacho Casanova x Vous Monsieur
• Parce que l'Art est aussi une histoire de rencontre, nous sommes heureux de vous faire découvrir le travail de Nacho Casanova. 
  ' My erotic work is based on one single subject: Desire
  I want to confess my desires. I want to share that I’m turned on while I’m drawing. I want my models to know I want to make love to them... and that I actually did while I drew them. That my lines don’t describe their bodies: they caress them, they lick them, they have their way with them. They were mine when I was drawing them. I want my public to find their own desires in my drawings - let them find themselves between my lines. In those gaps between them there is enough room for all their lusts and their fantasies. For falling down in a world where being desired and confessing our deepest urges is okay. A world where asking to be drawn to know how my lines express their beauty shouldn’t be judged because it’s healthy. We all have that right.
  Because they are only blue lines.'